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As Schofield explains, the team at EA Redwood Shores would go to extreme lengths to perfectly execute scares in even the smallest scenes, sometimes spending weeks of development time building new systems in the process.
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It's one brilliant little moment in a game full of them, but watching this War Stories on Dead Space helps crystallize some of the things that made it so good. "What we were looking for was, how can we scare people with just sound? No monsters," Schofield says. If you want a taste, watch this video with the volume cranked.Īfter telling Schofield about it, they sent an audio team with studio microphones to record samples of BART that they then turned into the nightmarish squeal used in that room. Bay Area residents are all too familiar, but for someone who has never used the train before, it's almost hard to overstate what a nightmarish experience it is. When audio director Don Veca rode BART, he was stunned by the unbelievably awful noises it makes. But right from the start, we said sound design and the music and the audio are key." "A lot of games, sound design was sort of the thing that came in last. "Sound is so important in a videogame, to me," Schofield says. The whole episode is worth watching, but the BART story comes as Schofield talks about how important sound design was in achieving that palpable sense of dread in Dead Space. This particular episode focuses on Dead Space and how creator Glen Schofield and his team turned it into a horror masterpiece.
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This story comes from the most recent episode of Ars Technica's excellent video series War Stories, which explores the untold development stories of beloved games. It's a brilliant subversion of expectations. I was convinced something was going to maul me the moment I stepped inside, but Dead Space plays an even nastier trick. The sudden shift from dead silence to metallic screeching and flashing lights is so jarring, I vividly remember having to pause the game and muster the courage to enter that room. You can watch the video above to see the exact scene that I'm talking about. Though it's been a fun fact that's been circling the internet for a while now, I only just learned that the source of this awful noise is none other than the train millions of California Bay Area residents commute on-as if I needed another reason to think of San Francisco as a nightmarish hellscape. Then, after re-compressing at an airlock, you open the door to one of the most horrifying sounds known to humankind: the ungodly wail of the Bay Area Rapid Transit (BART) system. During this entire sequence, there's barely any sound-everything is muted by the vacuum of space to the point where even your shotgun sounds like a distant thud. A few hours into the game, you navigate a zero-gravity section of the Ishimura on your way to the engine room. Glen Schofieldįor all the terrifying scares in Dead Space-necromorph babies, giant tentacles, and ghostly whispers-one of my favorite moments is one that has no monsters at all.
But right from the start, we said sound design and the music and the audio are key.
Photo by Eric Fischer via Creative Commons.Ī lot of games, sound design was sort of the thing that came in last.
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It makes me wonder what other unlikely pairs of games were offshoots of each other: some googling reveals that Metal Gear Solid 5 was built using the same engine-Konami's Fox Engine-as many of the Pro Evolution Soccer games, for example.ĮA Redwood Shores developed the Tiger Woods games from 2000 to 2007, two years before Dead Space came out, but the series has remained under the EA umbrella since then. Studios often re-use or modify engines between different series, but the fact two games in such different genres share the same lineage is interesting. The costume crossover was therefore as simple as importing a single model.
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These crossovers, usually in the form of character outfits, have always felt bizarre, but in Tiger Woods' case it turns out Clarke had a good reason to feel right at home with a driver in hand.ĮA Redwood Shores, which later became Visceral Games, built Dead Space using a modified version of the Tiger Woods game engine, level designer Ben Johnson said on Twitter yesterday. Dead Space's Isaac Clarke has popped up in some unlikely places over the years: when he's not been cutting up monsters on mining ships you might've spotted him on the links in Tiger Woods PGA Tour 10, running the floor in NBA Jam: On Fire Edition or grinding rails in Skate 3.
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